Monday night marks the national premier broadcast of the American Masters installment on Mel Brooks. To mark the occasion, we’ve put together a collection of Brooks’ best Jewish clips.
What exactly that means is a good question. As with two others recent subjects on the PBS series — Woody Allen and Phillip Roth (hey, guys, maybe change it up a bit, before Pat Buchanan notices) — you could make the argument that Brooks’ entire oeuvre is an extension of his very Jewish background, sensibilities, hang-ups, etc., and hence any and all of his work can be considered Jewish. Take “Young Frankenstein”: It lacks any explicitly Jewish gags, but some critics (here and here) have no trouble making the case that the film is very Jewish.
See JTA's full list: http://www.jta.org/2013/05/20/arts-entertainment/mel-brooks-top-10-jewy-jewish-scenes#ixzz2TrENHW7X
Babushka's all time favorite Mel Brooks films are:
Blazing Saddles
History of the World Part I
The Producers
Spaceballs
The Coen Brothers' "The Big Lebowski" is a challenger to the best of Brooks, but Woody Allen and Philip Roth are lame, lame, lame. Monty Python's "Life of Brian" is way more hilarious than anything produced by "I Shtupped My Stepdaughter" Allen or penned by the excruciatingly self-hating Mr. Literary Giant Douche Roth, even though Monty Python is not really Jewish humor.






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